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Biosphere & Beyond Making & Moving Somatic Support

Moving Metta: A Simple Ritual to Connect

A simple gesture pattern came to me as I listened to the sound of howling wind and ice crashing against my yurt recently. I heard thuds and bangs in the distance; likely trees falling in the storm. Anxiety panged in my heart, as I hoped nobody was hurt from the falling trees. Sidling up to me quickly was also the realization that something could crash onto the yurt and possibly damage my home. Life is fragile (it is also resilient, but in these moments I felt the preciousness of it more acutely). 

From recognizing pain and sensing an inner desire to wish for wellbeing for all, I started to move as pictured below. 

Music: “Journeys” by h hunt

As I merged awareness, intention, and movement, the process began to feel like a ritual. I will note the basic progression of focus that emerged below, in case you are curious to incorporate some aspect of this into your own daily practices or maybe to use it as a warm-up into somatic dance improvisation. This ritual reconnects me to love and yearning for more life; I resonate with these words by Anita Barrows, as quoted by Joanna Macy and Molly Brown in Coming Back to Life: The Updated Guide to the Work that Reconnects:

I would stand

next to you in the forest’s

final hour, in the wind

of the helicopter blades, police

sirens shrieking, the delicate

tremor of light between

leaves for the last

time Oh I would touch with this love each

wounded place

Anita Barrows. “Psalm.” We are the Hunger. Unpublished Manuscript, 1998.
A dance in a clear-cut electrical-line trail through dense forest; “touching with love” wounded places within and among

Metta Movement Progression

  1. Concentrate on the feeling of your hand connecting with your heart, perhaps also with the feeling of the other hand on the lower belly/ “sea of chi” (a phrase from Qi Gong practice). Feel the soles of your feet soften into the ground, knees slightly bent.
  2. As one of your feet steps in a particular direction, slowly begin to draw the hand away from the heart, in the same outward line as the foot stepped. I particularly resonate with the feeling of letting the back of the hand lead, while the fingertips are still curled in towards myself. 
  3. Ask yourself who or what you are reaching out to. Who do you connect to in this moment? Perhaps you start with what you easily see before you, your environment. Perhaps eventually you reach further to connect with those just beyond your immediate environment, or perhaps ancestors; perhaps loved ones who are far away; perhaps strangers; perhaps those you have a difficult time with; perhaps non-human companions; perhaps various beings and aspects of Nature and Life….see what resonates for you in this moment, or what spontaneously arises
  4. Focus on the sensation of space that your hand is traversing, feel this bridge between “self” and “other,” how do you feel your own ground but also feel a shift of some sort as you reach towards the “other?” 
  5. As the hand and arm reach their extension, let it begin to flow back towards yourself, perhaps with the heel of the hand drawing in first and letting the fingertips point in the outward direction as long as they can. The foot will draw back in as well. Feel, again, the space you are traversing and how you may be changed from your connection. 
  6. Moving in a counter clockwise circle, take a step just slightly in a new direction and repeat the movement pattern, drawing the foot and hand gently outward from the heart center. With this new change of direction, take in your new perspective of your environment. Contemplate giving and receiving as you move, and the somatic awareness of what your body is like when it gives and when it receives. Feel a sense of flow between the outward reach and the inward return (or notice any lack of flow or tension).
  7. Continue changing directions slightly with your steps until you’ve completed a full circle. Perhaps you continue shifting your focus of who the “other” is in each moment. Try wishing well towards whatever you are reaching toward. I often internally repeat part of the Metta meditation with each turn of direction. Such as “May you be happy,” or “May you be healthy,” or “May you be free from inner and outer harm,” per one cycle of reaching and coming back.
  8. Continue for a few rounds, perhaps changing which foot or hand reaches outward. Contemplate your awareness of togetherness and separateness as you continue. Can you still sense your own heart fully even when your hand is fully outstretched? 
  9. Begin to let the form alter in small ways: perhaps changing directions of the circle, perhaps reaching above and below instead of outward, perhaps changing which foot and hand extend. Perhaps you focus your awareness of the back of the heart center rather than the front.
  10. At some point, give permission for the form to morph even more, morphing organically into other shapes and patterns that emerge in the moment. Follow and observe your mind, heart, sensation, and perceptions as movements morph. How are you still connected to your environment, how can it become more of a duet/trio/etc. than a solo movement exploration?

May your growing care for all beings, especially wounded and marginalized people and places, guide you to take healing and just actions aligned with your values.

Categories
Biosphere & Beyond Making & Moving

Thoughts on Eco-poetics and Prepositions

I really enjoyed today’s “eco-poetics” writing workshop (facilitated by Kristin Prevallet) focused on & problematizing prepositions. Language is somatic, isn’t it? Why does the english language have more prepositions than any other language, and what might it have to do with containment and possibly oppression and colonization? At the end of the workshop we were prompted to create a “list poem,” in which every line of the poem starts with a preposition. At least that is what I understood the prompt to be. Here I’ll share my raw, unedited writing response. What do you think about prepositions, the way they live in your body, shape your perception and worldview and consciousness? Or is your consciousness shaped by your language full of prepositions? For folks who speak languages other than english, I’m particularly eager to hear your thoughts about prepositions and whether they also have a function in your language. 
_ _ _ _ _
Preposition Poem 6/23/20

unlike me
toward the future seeking subterfuge
around the maypole came crashing down
above ground, sucking up air
inside the system, esophagus 
to the mayor and council people:
until “we” get what we want 
during the lockdown of course
into you into the earth into plantations
despite doesn’t paint a picture or locate you
beneath a fallen statue or a conflicted heart
except when your great great great grandfather 
through the garden of eden
behind the tree & the woman behind the words of grass
among the knowledge we never wanted
upon the bodies and animal bones we broke
at the end of all reasons and roads and logic
by the chaos in our hats and drawers
for the undoing of doing itself
between the weeds and the Hydrangeas 
within the voices of the beautiful ghosts of the Forest Farm
within the spores of the intergalactic beings
without the illusion
“without a body or a numb and useless mind”
by Larkin Grimm who told me to learn harp circa 1984, circa 
Juneteenth which they never taught me about in school
about time about face
besides the flowers seed themselves
without our help
unlike the colonial bricks fashioned to kill
the mysterious plants
unlike their own knowable allies